Cupar Grain Silo exterior
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Cupar Grain Silo

Cupar, Fife · Scotland
Reverberation Time
37.5 seconds

The Cupar Grain Silo is a decommissioned 200ft concrete tower on the outskirts of Cupar, Fife. Its cylindrical form creates an extraordinary acoustic environment, sound reflecting off the curved walls and travelling the full height of the structure, producing a reverberation time of 37.5 seconds.

An impulse response was captured inside the silo and used as the foundation for a piece composed entirely around its acoustic characteristics. The 'dry' recording was then brought back into the silo and performed in front of a live audience, making the building itself the final instrument.

The recording was subsequently released as a vinyl record by Blackford Hill Records and received airplay on BBC Radio 3 Night Tracks, 6Music and BBC Radio Scotland.

3D Impulse Response
Reverberation Time (RT60)
37.5 sec
Structure Height
200 ft
Material
Concrete
Event
21st May 2016
Cupar Grain Silo fire
Hear the Space
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Dry 100% Wet
Recordings
09 Tracks
01 / 09 Now Playing
Juno-6 Chord Progression
0:00
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Vol

The Cupar silo, the only structure of its kind in Scotland, was built in 1964 for bulk storage of sugar. Adjoining the large sugar beet processing plant, which had been in operation since its construction in 1926, the giant silo presented a great symbol of success for the British Sugar Corporation at a time when the industry seemed at its peak.

Its working life was to be short lived however with the unexpected announcement that, due to uncertainty caused by changes to government contracts and subsidies, the factory was to close. Less than 8 years after erection, in 1971, the factory closed down leaving many people unemployed and a lot of ill feeling.

It was subsequently bought by agricultural agents Alexander Inglis & Son and used for grain storage until the early 2000s when once again the withdrawal of government subsidies, this time for grain storage, meant it was no longer viable.

In August 2005, it was taken on by its current owners and in 2008, with the discovery of an accessible access hatch into the body of the silo, its potential as an alternative creative space was revealed. Since that time, there have been several successful artistic ventures utilising the unique qualities of the building including installation, film, sound, dance and performance.

The ‘harnessing’ of the extraordinary acoustics within the silo body were undoubtedly taken to a new level with the studied work of Resono in May 2016. The charity Silo Projects was subsequently formed in August 2016 and serves to encourage experimental art and appreciation of the unique industrial heritage of the Cupar Silo.

Kathy Watts
Silo Projects